Monthly Archives: September 2014

Chasing Light – Painting and Teaching Within the Magical Landscape of Altos de Chavon

By Lily Olive (MFA 2015) I spent this past August immersed in the magical environment of Altos de Chavon as one of the recipients of the New York Academy of Art ­ Altos de Chavon Artist and Teaching Residency, living and breathing what seemed to be some kind of mirage of an idealized ultimate painter’s paradise. I along with three other NYAA alumni:… Read More

ELIZABETH GLAESSNER’S QUIET CONFIDENCE

Have you had the chance to see the “2014 Fellows Show” at the Academy?  If not, RUN don’t walk to Wilkinson Gallery, 111 Franklin Street, before it closes on Sunday, September 29th.  At the show you will be drawn to Elizabeth Glaessner’s (MFA 2013, Fellow 2014) work. Her post-apocalyptic paintings slowly reveal intricate allegories suspended in time.  Her chromatically vivid, psychologically dense, personal narratives take… Read More

Yunsung Jang’s Universal Spirit

Portraits by Yunsung Jang (MFA 2013, Fellow 2014) reflect both vulnerability and strength simultaneously.  His  process is a painterly excavation that is extremely physical and personally revealing.  Jang’s application of paint is similar to the way one would plaster a wall.  Trowels, knifes and brushes slather paint onto the faces of his subjects.  Once dry, he is as likely to carve… Read More

2014 New York Academy of Art Fellows

Featuring work by painters Elizabeth Glaessner, Yunsung Jang and Nicolas V. Sanchez, this exhibition marks the beginning of each artist’s promising career and the culmination of their year-long fellowships. Each year, the Academy selects three outstanding graduates of its MFA program as Chubb Fellows. The fellowship, sponsored by Chubb, is the highest honor the Academy bestows, and is given to the… Read More

An Unforgotten Past: The Work of Nicolas V. Sanchez

Nicholas V. Sanchez (MFA 2013, Fellow 2014) is driven by a prolific compulsion to bear witness to everything he holds dear. In paintings that depict blind horses, decaying walls and scabrous surfaces, Sanchez suggests a world that is not only falling apart but one that is also slipping through his fingers.  By painting memories that could easily fade into oblivion, Sanchez creates… Read More