The technical, formal and conceptual development of painting is at the core of the curriculum. The intensive two-year program combines the study of historic and contemporary painting methodologies with emphasis on exploration of critical theory allowing students to develop an individual artistic vision. The core studio sequence begins with direct, perceptually-based methods and progresses to advanced synthetic modes of pictorial construction.

The Painting Concentration immerses students in the variety of languages in which the human form is represented in oil. Direct painting addresses opaque perceptual description; indirect painting addresses mixing of color through layering; and second-year outcomes include integrating disparate sources and multiple figures into coherent compositions. Self-directed work is regularly critiqued by renowned visiting artists and faculty in the context of a diverse contemporary discourse.

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"The figure is nothing unless you can twist it around like a strange miracle."

Willem De Kooning

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about the New York Academy of Art Graduate Program by viewing our catalogue.