Monthly Archives: September 2015

Interview with Shangkai Kevin Yu

by Claire Cushman (MFA 2015) “I usually paint the painting in my head first, to give myself time to decide whether it’s actually worth painting,” says Shangkai Kevin Yu, (who goes by Kevin), of his process. “If it is, then I take photos, either in the place where I initially encountered the objects, or by arranging the objects and people to… Read More

Interview with Stephen Vollo, NYAA 2015 Fellow

by Claire Cushman “I chose to paint a bed because of its inherent content,” says Stephen Vollo, of his painting of a rather ordinary looking bed. “It’s a place where people have sex, dream, and possibly die. But it’s also a part of our everyday routine. So it has many, often contradictory associations. I wanted to make a painting that… Read More

Fellows Interviews – Alonsa Guevara

Interview with 2015 Fellow Alonsa Guevara Aliaga by Claire Cushman On Tuesday, September 8th, Mark Miller gallery and the New York Academy of Art will unveil the works of the 2015 NYAA Postgraduate Chubb Fellows – Alonsa Guevara, Stephen Vollo, and Shangkai Kevin Yu. This show marks the culmination of these artists’ yearlong fellowships, and the beginning of their promising… Read More

Days in Giverny

By Jiannan Wu (MFA 2016) We have been in Giverny for one week, and I’d like to show you all the amazing things that have happened here. We live in a very convenient two-story house with a basement next to Monet’s Garden. Living Room Kitchen The room I shared with Danial DaSilva (MFA2015) Backyard Our studio is only one minute… Read More

Further Down the Rabbit Hole

by Taylor Schultek (MFA 2016) Where did it begin… Where did it end? Our final week in Beijing was so fast, the days all blend together. Extremely late nights, unreasonably early mornings, an hour of sleep here or there. Where to start and what to say? This past week changed my view of Beijing entirely, and what I was planning… Read More

Interview with Lisa Rosen

by Claire Cushman (MFA 2015) “People tend to think that “golden” (more like murky) hues of older paintings were the artists’ original colors,” says Lisa Rosen, director of Fine Art Restoration. “But this isn’t the case. The further back in time you go, the richer and more vibrant the colors were. Color screamed MONEY. It’s just that the varnish used to cover… Read More