The Academy Blog

Giverny Residency Exhibition

Forensic Sculpture 2019

The New York Academy of Art will host an exhibition of clay busts created in its “Forensic Sculpture” workshop from April 18 – May 5. This nationally-acclaimed annual workshop is the result of a unique partnership between the Academy and the New York City Office of the Chief Medical Examiner, in which art students used skulls from actual “cold cases” to recreate the faces of the victims, in the hope of identifying unknown persons.

Fourteen students each received a replica of the skull from a real unidentified body and used their sculptural and artistic training to accurately reconstruct the face of the victim in clay. The New York Academy of Art is the national leader in teaching contemporary figurative art and its students follow a rigorous technical course of anatomical training and drawing from life. This specific artistic instruction allows Academy students to actively interpret the landscape of a skull and skillfully portray features and flesh.

The workshop was taught by Joe Mullins, a forensic imaging specialist. Bradley J. Adams, the director of forensic anthropology for the Office of the City Medical Examiner, has called clay facial reconstructions the “last-ditch effort” to identify unknown homicide victims, after methods such as fingerprinting, dental records and DNA testing fail to yield results.

The pilot program at the Academy in 2015 marked the first time the Office of the Medical Examiner had ever attempted this project with an art school and resulted in 11 busts created from New York City skeletal remains and one positive identification. In 2016, the program was expanded from New York to include skulls from a variety of cold cases all over the country, from Delaware to California, and included two 19th-century skulls from unknown soldiers killed during the Civil War. In 2018, the Academy partnered with the Pima County, Arizona, Medical Examiner’s office to recreate the faces of 8 unknown border crossers whose skeletal remains had been discovered in the desert.

In 2019, in addition to both New York City cold cases and border migrant cases, the reconstructions include the face of 19th century teenage female victim of meningitis, created in partnership with the Mutter Museum of Medical History in Philadelphia, and the face of an enslaved African man from colonial-era Connecticut, the renowned “Fortune” belonging to Mattatuck Museum in Waterbury, whose preserved remains have provided information about the history of slavery in New England prior to the Gradual Abolition Act of 1784.

For more information, contact Angharad Coates, Director of Communications for the New York Academy of Art at acoates@nyaa.edu, 212- 842 -5975

 

Forensic Sculpture Reconstructions

Harvey Citron: Faculty Sabbatical Exhibition

Phantasmagoria

 

 

Andy Warhol: By Hand

© 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
Artwork courtesy Private Collection

 

Andy Warhol has always been an inspiration to the New York Academy of Art.  His belief in the primacy of drawing attracted him to our mission and led him to become one of our early board members.  This exhibition is something of a homecoming for his legacy here.

Warhol’s artistic journey is emblematic of the transformation we desire for our students.  At the Carnegie Institute of Technology in Pittsburgh from 1945 to 1949, he immersed himself in a classical studio art training.  He used that foundation to set out on his own, making work that was anything but academic. Armed with technical skill, he was able to simplify to a single fluid line and capture the world’s imagination.

In this exhibition you will see Warhol’s experiments with different techniques, making broken line and stippled pieces using graphite pencils to make portraits.  His early use of blotted line technique is also on view, as is his use of simple pen and paper.  What emerges is a renewed appreciation for Warhol as a draftsman and fine artist.

We thank Daniel Blau, Shelly Fremont, Paul Kasmin, Anton Kern, Stavros Merjos, Sam Shikiar, and Angela Westwater who lent the works on view here from their private collections, many of which have never been presented in public.  This show would not have been possible without their support.

Curated by Vincent Fremont and David Kratz

This exhibition is generously sponsored by AXA XL and 108 Leonard with support from Cadogan Tate.

 

 


 

 

 

 

 

Video Tour Preview Provided by Eazel

 

 

Donald Kuspit in Conversation with Peter Drake

Eminent critical theorist Donald Kuspit in conversation with Provost Peter Drake, discusses his life in the arts, his training as a psychoanalyst and developments in the progressive figurative and representational art world.

Donald Kuspit is one of America’s most distinguished art critics. In 1983 he received the prestigious Frank Jewett Mather Award for Distinction in Art Criticism, given by the College Art Association. In 1993 he received an honorary doctorate in fine arts from Davidson College, in 1996 from the San Francisco Art Institute, and in 2007 from the New York Academy of Art. In 1997 the National Association of the Schools of Art and Design presented him with a Citation for Distinguished Service to the Visual Arts. In 1998 he received an honorary doctorate of humane letters from the University of Illinois at Urbana-Champaign. In 2000 he delivered the Getty Lectures at the University of Southern California. In 2005 he was the Robertson Fellow at the University of Glasgow. In 2008 he received the Tenth Annual Award for Excellence in the Arts from the Newington-Cropsey Foundation. In 2013 he received the First Annual Award for Excellence in Art Criticism from the Gabarron Foundation. He has received fellowships from the Ford Foundation, Fulbright Commission, National Endowment for the Arts, National Endowment for the Humanities, Guggenheim Foundation, and Asian Cultural Council, among other organizations.

 

Heather Darcy Bhandari: Tips and Advice For Artists

 

Heather Darcy Bhandari is an independent curator and co-founder of The Remix (a project-based curatorial team), an adjunct lecturer at Brown University, and a consultant to several for-profit and nonprofit arts institutions. She is also the Creative Director of Art World Conference, a new professional development conference for visual artists. The second edition of her book, ART/WORK, was published by Simon and Schuster in October of 2017. Bhandari also lectures and participates in portfolio reviews and panel discussions across the country. She is on the board of directors of visual arts at Art Omi (an artist residency in Ghent, NY) and the advisory boards of CODIFY Art (a multidisciplinary collective of QTPOC artists) and Trestle Gallery in Brooklyn. She was on the board of NURTUREart for nearly a decade. From 2000 to 2016 she was a director of Mixed Greens, a commercial gallery where she curated over one hundred exhibitions while managing a roster of nearly two-dozen emerging to mid-career artists. Most recently, she was the Director of Exhibitions at Smack Mellon, a nonprofit in Brooklyn. Bhandari received a BA from Brown University and an MFA from Pennsylvania State University. Her career began at contemporary galleries Sonnabend and Lehmann Maupin, both in New York City.

 

This talk is part of the New York Academy of Art’s Professional Practice Lecture Series featuring art world professionals in conversation with Senior Critic Sharon Louden.

Julia Kodl Artist Talk

Julia Kodl is a Los Angeles based concept artist and an art lead at Dreamscape Immersive where she makes the content for story-based, full-roam virtual reality (VR) experiences. Using real-time motion capture technology, full body mapping, virtual reality headsets, and real-life room-scale stage sets, it enables users to move untethered in a virtual environment and interact with both physical and virtual objects. Julia has worked with film legends including Walter Parkes, Steven Spielberg, Hans Zimmer, and Gore Verbinski to transform their stories into VR. She received a BA from UCLA for painting and later attended Gnomon School for Visual Effects, specializing in environment design.

Working with Museums: Seph Rodney

Seph Rodney was born on the island of Jamaica and grew up in New York City. He has an English degree from LIU, Brooklyn, a studio art MFA from the University of California, Irvine, and a PhD in museum studies from Birkbeck College, University of London. He is an editor for the Hyperallergic blog, writing about contemporary art and related issues, and a current adjunct faculty member at Parsons School of Design. He can be heard on the podcast “The American Age” and is also currently under contract with Routledge press to produce a book based on the customization of the museum visit. He has appeared on the AM Joy show, written for MSNBC, CNN Op-ed pages, Contemporary And, American Craft, and Artillery Magazine.

 

 

This talk is part of the New York Academy of Art’s Professional Practice Lecture Series featuring art world professionals in conversation with Senior Critic Sharon Louden.