The Academy Blog

Born in Tehran in 1976, Ali Banisadr’s formative childhood years were during the Iran-Iraq war. Banisadr earned a BFA from the School of Visual Arts in 2005, and an MFA from the New York Academy of Art in 2007, where he was awarded the Postgraduate Fellowship followed by winning an award in painting from New York Foundation for the Arts. He is currently represented by Galerie Thaddeus Ropac in Paris and Sperone Westwater in New York. He has recently had solo exhibitions at Frieze New York, BlainSouthern Gallery in London, and Galerie Ropac in Paris, and appeared in group shows at the Venice Biennale, the Prague Biennale, the Queens Museum of Art, Stedelijk Museum (Ghent), Victoria Miro Gallery (London) and the Saatchi Gallery (London). His works are in the permanent collections of the Metropolitan Museum, the British Museum, the Museum of Contemporary Art in Los Angeles, the Francois Pinault Foundation and the Saatchi Collection, among others.

Damian Loeb (born 1970) is an artist currently living and working in New York City since 1989. He was discovered by Jeffery Deitch in 1997 and is currently represented by Acquavella Galleries. Loeb, using primarily painting and photography, creates meticulously specific images that subverts the language of reproduction and memories to codify a dialogue between relativism and our formative experiences. His richly painted figurative works and lush colored landscapes portray a sense of fetishized awe and deep rooted familiarity from his highly subjective tableaus.

Andrianna Campbell. Photo courtesy of John Keon

Andrianna Campbell is a doctoral candidate in the Department of Art History at the CUNY Graduate Center, where she specializes in American art. Her doctoral research focuses on Norman Lewis and Abstract Expressionism in the post-World War II period. Alongside her scholarly research, she is the author of essays and reviews on contemporary art for Artforum, Art in America, Even and Frieze. Campbell was the coeditor of Shift: A Graduate Journal of Visual and Material Culture, a special 2016 edition of the International Review of African American Art dedicated to Norman Lewis and is currently a co-founder of the Apricota journal. She is the recipient of numerous fellowships and awards including the Dean K. Harrison Fellowship, the Preservation of American Modernists Award, the Library Fellowship from the American Philosophical Society, the Andrew W. Mellon Fellowship at the Dia Art Foundation, the Dissertation Writing Fellowship at the New York Public Library and the CASVA Chester Dale Fellowship from 2016-2017.

Katy Diamond Hamer is a journalist focusing on contemporary art and culture. She is the Founding Editor in Chief of the online publication Eyes Towards the Dove, has a Master’s degree from New York University and is based in Williamsburg, Brooklyn. An avid writer with her finger on the pulse, Hamer contributes art reviews, previews and interviews to CULTURED Magazine, Flash Art International, SLEEK Berlin, W Magazine, New York Magazine (Vulture) and others. She is frequently invited to speak at colleges and art residencies as a guest critic and has lectured to students at Sotheby’s Institute (NY), New York University (NY), Columbia University (NY), University of Pennsylvania (PA), Hofstra University (NY) and others. With a global focus being such a relevant part of the contemporary dialogue, Hamer also travels frequently and has taken press trips to Oslo, Stockholm, Bogota, Berlin, Miami, Philadelphia, LA, Dominican Republic, Boston, Connecticut and many other locations. Viewing, thinking about, and writing about contemporary art is her love and passion. She is often found with an iPhone in hand either taking notes or posting images to Instagram. When not looking at art she is at home with her poodle Loki Merz.

Jillian Steinhauer is the senior editor of Hyperallergic and a writer living in Brooklyn. Her work has appeared in such publications as the New Republic, Slate, the Los Angeles Review of Books, and the Paris Review Daily, and an essay of hers was included in Coffee House Press’s 2015 book Cat Is Art Spelled Wrong. This past summer, she served as the art-writer-in-residence at SPACES gallery in Cleveland and in 2014 won the Best Art Reporting award from the US chapter of the International Association of Art Critic. Jillian holds a master’s degree in Cultural Reporting and Criticism from New York University. In her free time, she’s been known to judge art events, tote bag competitions, and cat video festivals.

Julia Wolkoff is Assistant Editor at Art in America. She has reviewed artists such as Heidi Hahn, Tauba Auerbach, and Hilary Harnischfeger for the magazine and has covered exhibitions and museum openings in the United States, Europe, and Asia for the magazine’s website. In addition, she has contributed essays to the catalogues for exhibitions including “Lucid Gestures” (2015), at the Louise McCagg Gallery, Barnard College, “Goddess, Heroine, Beast: Anna Hyatt Huntington’s New York Sculpture, 1902-1936,” at the Wallach Art Gallery, Columbia University, and Joan Snitzer’s “Compositions” (2014), at A.I.R. Gallery, Brooklyn. At the 2016 Frieze Art Fair, New York, she moderated a talk on comics and contemporary art. Wolkoff graduated cum laude from Barnard in 2014.

Nato Thompson joined Creative Time in January 2007. Since then, Thompson has organized such major Creative Time projects as The Creative Time Summit (2009-2015), Kara Walker’s A Subtlety (2014), Living as Form (2011), Trevor Paglen’s The Last Pictures (2012), Paul Ramírez Jonas’s Key to the City (2010), Jeremy Deller’s It is What it is (2009, with New Museum curators Laura Hoptman and Amy Mackie), Democracy in America: The National Campaign (2008), and Paul Chan’s Waiting for Godot in New Orleans (2007), among others. Previously, he worked as Curator at MASS MoCA, where he completed numerous large-scale exhibitions, including The Interventionists: Art in the Social Sphere (2004), with a catalogue distributed by MIT Press. His writings have appeared in numerous publications, BookForum, Frieze, ArtForum, Third Text, and Huffington Post among them. In 2005, he received the Art Journal Award for distinguished writing. For Independent Curators International, Thompson curated the exhibition Experimental Geography, with a book available from Melville House Publishing. His book Seeing Power: Art and Activism in the 21st Century was published in 2015.

For over sixty years MAD has been introducing some of the most outrageous draftsmen to generations of young people hungry for absurd humor, extraordinary art and a poke in the eye of complacency. This panel brings together Al Jaffee, Sam Viviano, Liz Lomax and Peter Kuper all of whom have continued the MAD tradition of great drawing in the service of an elbow in the ribs. The panelists will explore the history and future of MAD magazine and the role of cartooning in popular culture.

Presented by Jonathan Tibett and ABC Stone the panel, consisting of Steve Shaheen, Dionisio Cimarelli, Brice Esso and Jiannan Wu will focus on contemporary stone carving and the effect of working in the shadows of the masters.