The Academy Blog

Inaugural Exhibitions at the End of the Recession

A Review by Maria Kozak (MFA 2011)

The New York Times has officially declared The Recession over. This is great news for the art world. Let’s celebrate with an impressive new location for old staple Sperone Westwater and the opening of new contender RH Gallery.

concept for Sperone Westwater
(concept for Sperone Westwater)

On Wednesday, Sperone Westwater opens doors at its new spot on the Bowery. The building, down the street from the New Museum, is new museumish and nearly its size. Designed by renowned British architects Foster + Partners, the building is eight stories with a movable viewing space that hopes to pioneer new ideas in exhibiting art with a novel approach to vertical movement. The first show will be a series of new paintings from Argentinian artist Guillermo Kuitca. 

Deborah Kass, Forget Your Troubles, 2010
Deborah Kass,
Forget Your Troubles, 2010
oil,acrylic/canvas, 72 x 60 in.

Thursday night, go to the opening of NYAA visiting artist Deborah Kass‘s show at Paul Kasmin in Chelsea. The show, MORE feel good paintings for feel bad times, is aptly titled. Kass’s work incorporates words, colors, and appropriation to comment on current affairs and pop culture. The opening is from 6-8 pm.
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Micah Ganske, Tommorow Land: Greenpoint, NY, 2010
Micah Ganske, Tommorow Land: Greenpoint, NY, 2010
acrylic on muslin, 120 x 168 in



On Saturday night RH Gallery opens in Tribeca. Founded by director Rebecca Heidenberg and Adam Taki, the inaugural exhibition boasts the stable of cutting edge artists from all over the world they represent including Iranian artist Parastou Forouhar, NYAA visiting artist Micah Ganske (USA), and Brazillian artist Dante Horoiwa. The first show is entitled The Third Meaning for the deeper order of the work, beyond the obvious and the symbolic. It asks viewer to bridge the object of art with its sublime qualities: an experience moving us, however uniquely. The opening is from 6-9 pm.



Carolina Nitsch, Do Not Abandon Me 2009-2010
Carolina Nitsch,
Do Not Abandon Me 2009-2010
Archival dyes printed on cloth,
24 x 30 in


Also if you haven’t had a chance, go see the Louise Bourgeois + Tracey Emin show at Carolina Nitsch. The collaboration originated with Bourgeois’ 16 gouache drawings on paper of male and female torsos in profile. Emin ‘responded’ by adding handwritten text, line drawings and gouache. It is one of the final projects of Louise Bourgois, a prolific artist with a profound impact on the nature of art and the first female artist to have a retrospective show at MOMA. In Do Not Abandon Me, both confessional artists explore sexuality, identity, birth, gender and ultimately the need to feel attached to the “Other.â€

The Year Begins… from Deutschland to my Studio

by Aliene de Souza Howell (MFA 2011)

Back for my second and final year at the Academy, I am greeted by Will Kurtz’s newspaper motorcycle woman, Neoplatonism and a fourth floor window studio. I returned from the Leipzig residency and subsequent backpacking trip in the German Alps feeling refreshed for the first day of school and with ideas buzzing rooted in the work I created there.

Newspaper sculpture by Will Kurtz

The year has ignited with an opening for the stirring work of the third year fellows, Panni Malek, Will Kurtz, and Peter Mühlhäußer. And my classes began with John Jacobsmeyer’s Narrative Printmaking Seminar (being offered for the first time this year!) and Vincent Desiderio‘s painting elective. Jacobsmeyer pushed our creative canons with selected woodcuts from his book, More Than Human, and his personal print collection as I began to formulate ideas for my own series. Desiderio inaugurated class with a philosophical lecture about artist as intellectuals with its origins in Neoplatonism. From there he came to each student’s studio and gave individual homework assignments based his or her Thesis ideas; he was enthusiastic regarding my concepts and work, instructing me to keep experimenting.

On the heels of his advice, I delved into dioramas and sketches in preparation for my large scale Thesis works to come! I am continuing the series I started this summer about the disconnect between daily life and the string of global natural disasters that have happened recently. I can’t wait to manifest the sketches and brainstorming of this week into action! As Delacroix said in regards to creating, ” If I am not quivering like a snake in the hands of Pythoness, I am cold…”


Aliene de Souza Howell's studio

Art & Culture Lecture: Hilary Harkness

Tuesday, September 21, 7:30 pm

Artist Hilary Harkness lives in New York City and is represented by Mary Boone Gallery. Jerry Saltz, critic for The Village Voice, wrote about her figures: “Whatever they’re involved in, they ooze a bitchy demonic kinkiness, which makes looking at these paintings slippery fun.”

 

Artwork by Hilary Harkness
Iowa Class, 14″ by 22″ oil/linen, 2003


All lectures are free and open to the public. See you there!

Next up: Wei Dong, Tuesday September 28

Click here for a complete schedule of 2010 Fall Art & Culture LecturesThe NYAA Library has the following resources available exclusively for NYAA students.

Oooh La LA!

by Jessie Brugger (MFA 2010)

The hills are alive with the sound of music! Okay, wrong country, but it was a true story here in Giverny, too. The Musicians for the Chamber Music Festival moved into their residency a few days before we left… and we woke up to nature humming and classical musicians playing away. Don’t get me wrong, its no Tupac Shakur or Biggie Smalls, but it’s very awesome and not a bad way to start the day in the morning!

The other day I went to Rouen, the city where Van Gogh spent the last years of his life. Seeing it explains a lot of how his paintings look. Van Gogh was not exaggerating when he painted the buildings looking like they were caving in on one another (okay, maybe a little) but the imperfection on the lines on the buildings and the wood makes it such an intriguing visual puzzle. It is also the home of the famous Cathedral paintings by Monet. The Cathedral stands in the city like a huge beautiful beast alive with stained glass windows and fantastic gothic architecture. Ah, the power of architecture!

Staff and students having dinner outdoors in Giverny
Everyone at dinner

On the last night, we were treated to a fantastic dinner in the French countryside from Veerle Thieleman, Wade Schuman’s good friend. Wade, his wife Kate Javens, the whole host crew from Terra Foundation and the neighbors showed us New Yorkers how the French do dinner and it was extremely impressive! There was so much to take in – a beautiful country view, a lily pond with frogs and flowers, horses in the yard, and Amber even caught a hedgehog. Wade played his harmonica for us in a cave outside of Veerle’s house that dates back to the 1400s. The sound of the harmonica and the candle light in the cave was surreal and yet So Real.



Photo of Amber Hany
Amber Hany



Recently, we had our last critique of the two week residency in Giverny. Ah, time flies! It went well. Lots of interesting feedback, discussions and critique. Everyone has been working really hard here, and presented beautiful interesting work to show for it.



Photo of Ian Healy
Ian Healy



We all came with different styles and ideas and we are leaving with an amazing experience and the influence of the French countryside, the art we have taken in at all the amazing museums, delicious Cheese, Bread and Wine, and of course friendships with each other and our hedgehog-finding, nature-loving, music-playing art leader Wade Schuman. I must admit, I’m going to miss opening the freezer door in search of things to draw like a pig’s head, a duck, a chicken, or some sort of rodent roadkill; but I guess New York City “kitties,” a.k.a. rats will have to do! See you back in New York City!!! Bon Soir!

Lightning Rod – Saya Woolfalk

Saya Woolfalk is a New York artist who re-imagines the world in multiple dimensions (sculpture, installation, painting, performance and video). She has exhibited at PS1/MoMA; Deitch Projects; Contemporary Art Museum, Houston; Contemporary Arts Center, Cincinnati; the Museum of Contemporary Art, Chicago; the Studio Museum in Harlem; Momenta Art; Performa09; and has been written about on Art21’s blog. With funding from the NEA, her solo exhibition The Institute of Empathy, will open at Real Art Ways in the fall of 2010.

What can we achieve by representing the body in art today?

Art & Culture Lecture: Isabelle Bonzom

Tuesday, September 14, 7:30 pm

Artwork by Isabelle Bonzom

Artist and art historian Isabelle Bonzom is a painter of the flesh. She will discuss her research, both as a painter and a scholar, on the representation of the flesh based on two iconographic characters: Judith and Salomé. Through dramatic images showing women with male heads, Bonzom will talk about the cutting of body, image and composition. She will examine how Michelangelo, Caravaggio, Gentileschi and Klimt treat those subjects and how Brancusi, Matisse and Fischl evoke the question.

Born in France, Isabelle Bonzom views painting as a living body. She is primarily concerned with revealing relations between the matter and the image. Bonzom is also one of the rare contemporary artists to master buon fresco. She has authored a reference book on the art and technique of fresco, and since 1989 she has been a lecturer at the Pompidou Center in Paris.

All lectures are free and open to the public, so bring a friend!
Next up: Hilary Harkness, Tuesday September 21
Click here for a complete schedule of 2010 Fall Art & Culture Lectures

The NYAA Library has the following resources available exclusively for NYAA students.

Snapshots in Giverny: Rheas, Toads, Studios

Wade Schuman, faculty instructor and guide on the Giverny residency at Terra Foundation, always finds interesting things!

Eastern Spadefoot toad
A “nice French toad.”

Birds in Giverny
Rheas, flightless birds similar to the ostrich, lounging by a stream.

Studio in Giverny
Artists in the Studio. 

2010 Art & Culture Lecture Series

This fall, the Art & Culture Department brings another great lecture series to Wilkinson Hall.

Join us Tuesdays at 7:30pm* as we bring inspiring historians, authors, artists and critics to our community. Here’s a first look at the exciting speakers on the roster so far: Isabelle Bonzom, Hilary Harkness, Wei Dong, Alexi Worth, Odd Nerdrum, Ross Bleckner, Kenneth Currie, David Salle, Eric White… and more to come!

Academy Librarian and Archivist Holly Frisbee will be posting suggested references/articles for each speaker a few days before the lecture, so follow our blog and be fully informed!

Click here for a complete schedule of 2010 Fall Art & Culture Lectures
All lectures are free and open to the public, bring a friend!

So it begins…

A Review by Maria Kozak (MFA 2011)

It’s the first week of school as well as the start of high season in NYC.
Welcome to fall.

A Wind Toward Off Dreams, by Jean-Pierre Roy
Jean-Pierre Roy, A Wind Toward Off Dreams

On Thursday night, Sept 9th, A Rational Spectacle opens at Rare Gallery in Chelsea featuring the work of NYAA’s adjunct faculty member Jean Pierre Roy. Roy’s luminescent dystopian landscapes explore the nature of light and new meanings of truth and beauty. Concurrent with his solo show, Roy’s monumental painting Landscape or Questioning…(2009), will be on view as part of a group exhibition that opens the following night at Allen Nederpelt in Brooklyn.

Premature 9, by Jennifer Steinkamp
Jennifer Steinkamp, Premature 9

Also in Chelsea Jennifer Steinkamp opens at Lehmann Maupin. The LA based artist is known for her projected installations that create kinetic, illusionistic environments. This time she turns her attention to systems of the human body.

image still from Los Penetrados, by Santiago Sierra
Santiago Sierra, image still from “Los Penetrados”

In Soho, Team Gallery presents Los Penetrados, the first solo exhibition of Spanish artist Santiago Sierra. The show features controversial stills from his film, “Los Penetrados” (The Penetrated), an examination of cultural psychologies of domination and submission as they relate to labor, race, gender, and class.

Artwork by Henry Darger
Henry Darger, untitled (verso)

Saturday night Sept 11th, Andrew Edlin gallery in Chelsea will have it’s third solo show of Henry Darger’s work. The show will consist of early collages and works never before seen in The Realms of the Unreal. The opening will include a performance by the band The Vivian Girls at 8pm.

Sandy Pond Lores, by Lisa Lebofsky
Lisa Lebofsky, Sandy Pond Lores

Also if you haven’t had a chance, you can see NYAA Alumna Lisa Lebofsky’s haunting landscapes painted on aluminum in a group show at Volume Black running through Sept 30.