Katherine Bradford’s mesmerizing yet rigorous visual language freely traverses the relationship between nonobjective and representational painting, allowing potential narratives to unfold and interweave with the investigation of form and color. Vast expanses of color divide her canvases into distinct horizontal planes while the variations in saturation and tone evoke an elusive yet almost palpable atmosphere. Lighter and darker hues are interchangeable and used without functional or hierarchical distinction, introducing spatial elements such as the sea and the sky, beaches and poolsides. These monochromatic backgrounds are occupied by human figures, often swimmers and bathers, whose androgynous, featureless bodies are roughly sketched. driven by an unbiased curiosity, the artist allows her imagery to acquire a porous malleability where a pictorial sign becomes a signifier. Bradford’s practice has honed over four decades, maturing into a nonacademic, creative freedom that resonates deeply with the aesthetical and socio-political concerns of our time. It is her commitment to dynamic change and to the fluid state of human togetherness that Bradford so poignantly expresses in her radiant liquid fields. Katherine Bradford was born in New York in 1942. She lives and works in New York.
Selected Museum Exhibitions
Katherine Bradford’s work has been exhibited internationally at Frye Art Museum, Seattle (2023); Portland Museum of Art, Portland (2022); Hall Art Foundation, Reading (2021); Carpenter Center for Visual Art, Cambridge (2021); Tang Teaching Museum, Skidmore College, New York (2020); Crystal Bridges Museum of American Art, Bentonville (2019); The Brooklyn Museum, New York; Ogden Museum of Southern Art, New Orleans (2017-18); Modern Art Museum of Fort Worth, Fort Worth (2017); MoMA PS1, New York (2007); among others.
Public Collections
Bradford’s work is held in the collections of the Metropolitan Museum of Art, New York; The Brooklyn Museum, New York; Dallas Museum of Art, Dallas; The Menil Collection, Houston; Institute of Contemporary Art, Boston; and the Portland Museum of Art, Portland, among others. Source: kaufmann Repetto.
Dexter Wimberly is an American curator based in Japan who has organized exhibitions in galleries and institutions around the world including the Museum of Arts and Design in New York City; The Green Family Art Foundation in Dallas, Texas; The Harvey B. Gantt Center in Charlotte, North Carolina; KOKI Arts and STANDING PINE in Tokyo, Japan; BODE in Berlin, Germany; Lehmann Maupin in London, U.K.; SECCI in Milan, Italy; and The Third Line in Dubai, UAE. His exhibitions have been reviewed and featured in publications including The New York Times and Artforum; and have received support from The Andy Warhol Foundation for the Visual Arts, and The Kinkade Family Foundation. In 2023, Wimberly participated in Hauser & Wirth’s International Curatorial Residency Symposium in Somerset, England. Wimberly has been profiled in Elle Decor and Artnet News. Wimberly is a Senior Critic at New York Academy of Art, and the founder and director of the Hayama Artist Residency in Japan.
swimmers by the town, 2004
acrylic on canvas
80 x 68 inches
carry painting, mother, 2023
acrylic on canvas
80 x 68 inches
Camping Trip, 2016
acrylic on canvas
68 x 80 inches
All images copyright Katherine Bradford