The Academy Blog

Mickalene Thomas in conversation with Jerry Saltz

Mickalene Thomas is an award-winning multidisciplinary artist whose work has yielded instantly recognizable and widely celebrated aesthetic languages within contemporary visual culture. She is known for her elaborate portraits of Black women composed of rhinestones, acrylic, and enamel. Not only do her masterful mixed-media paintings, photographs, films and installations command space, they occupy eloquently while dissecting the intersecting complexities of black and female identity within the Western canon.

Outside of her core practice, Thomas is a Tony Award nominated co-producer, curator, educator and mentor to many emerging artists. Apart from her own monumental solo shows, she simultaneously curates exhibitions at galleries and museums and collaborates with corporations and luxury brands. In addition to an Honorary Doctorate in Fine Arts from the New York Academy of Art (2018) and a United States Artists Francie Bishop Good & David Horvitz Fellow (2015), she is the first Black femme artist to have a scholarship in her name at the Yale School of Art. She has been awarded multiple other prizes and grants, including the Pratt Institute Legends Award (2022); Rema Hort Mann Foundation 25th Anniversary Honoree (2022); Artistic Impact Award, Newark Museum (2022); Glass House 15th Anniversary Artist of the Year (2022); Yale School of Art Presidential Visiting Fellow in Fine Arts (2020); Legend in Residence Award, Bronx Museum (2020); Pauli Murray College Associate Fellow at Yale University (2020); Appraisers Association of America, Award for Excellence in the Arts, (2019); Meyerhoff-Becker Biennial Commission at Baltimore Museum of Art (2019). Thomas is also the Co-Founder of SOULAS House, a cultural hub and retreat for Black women, the Co-Founder of Pratt>FORWARD and founder of Art>FORWARD Artist in the Market incubator for post-graduate students.

Work by Thomas is the collections of numerous institutions including the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Brooklyn Museum; Studio Museum of Harlem, New York; International Center of Photography, New York; National Gallery of Art, Washington D.C.; National Portrait Gallery, Smithsonian Institution, Washington D.C.; National Museum of Women in the Arts, Washington D.C.; Art Institute of Chicago; San Francisco Museum of Modern Art; Montreal Museum of Fine Arts, the Metropolitan Museum of Art, New York; and the J. Paul Getty Museum, Los Angeles among others. Thomas serves on the Board of the Trustees for the Brooklyn Museum and MoMA PS1.

Photo of Mickalene Thomas: Emil Horowitz

Jerry Saltz is the senior art critic at New York magazine and its entertainment site Vulture, and the author of the New York Times bestseller How to Be an Artist. In 2018 he was awarded the Pulitzer Prize for Criticism. A frequent guest lecturer at major universities and museums, he has lectured at Harvard University, the Museum of Modern Art, the Guggenheim Museum, the Whitney Museum of American Art, and many others, and has taught at Columbia University, Yale University, the Rhode Island School of Design, the School of the Art Institute of Chicago, and elsewhere.

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2024 Kylemore Residency Exhibition

 

In the summer of 2023, Antônia de Oliveira Bara (MFA 2023), Santiago Galeas (MFA 2021), Ciara Rafferty (MFA 2016), and Lucy Kay Simoneit (MFA 2023) participated in a one-month Artist-in-Residence program hosted by the Kylemore Abbey Global Centre Residency in Kylemore, Ireland.

The residency is made possible by Jaclyn Dooner (MFA 2015) and the New York Academy of Art Travel Fund.

Neil Jenney in Conversation with Linda Yablonsky

An artistic maverick, Neil Jenney is committed to exploring, and ultimately transcending, realism as both style and philosophy. Having designated his early work “Bad Painting” and his post-1970 output “Good Painting,” he challenges models of taste and subject matter while pursuing an idiosyncratic approach to depicting culture and place.

Jenney characterizes his current work as “painted sculpture,” and uses handmade frames to present crisp, high-contrast canvases. Providing an “architectural foreground” as well as—through stenciled captions—guides to title and setting, the frames situate the paintings as both objects and interpretations.

 

Linda Yablonsky has been writing about art and artists, as both critic and journalist, for the past thirty years. Her byline has appeared in The New York Times, Bloomberg, Palmer, W, Wallpaper, Elle Decor, among many others, and contributes the monthly New York Insider column to The Art Newspaper as well as reviews. She is also the author of The Story of Junk: A Novel, numerous essays for artist monographs and exhibition catalogues, and is currently at work on the first full biography of the artist Jeff Koons.

 

 

Neil Jenney Photo Credit: Debra Jenney
Linda Yablonsky Photo Credit: Grace Roselli for the Pandora’s BoxX Project

Artist Residencies Panel Discussion

Ruth Adams
Co-Executive Director of Art Omi
Ruth Adams is Co-Executive Director of Art Omi in Ghent, NY, where she provides leadership for the multi-faceted contemporary arts center’s 120-acre Sculpture and Architecture Park and Gallery, five international artist residencies, arts events, and education programming. Together with a Board of Trustees and Program Advisory Boards, totaling 90 people from the arts and business communities, Adams is dedicated to Art Omi’s vitality and sustainability, with a current focus on reputation building, destination creation, exemplary visitor services, internationalism, equity, inclusivity, and programming excellence. Adams has been in the arts residency field for 32 years and is always learning new ways to serve and support artists in community with one another, in the unique setting of a residency.

 

Sarah Philp
Deputy Director of Delfina Foundation
Sarah Philp is Deputy Director of Delfina Foundation, the largest international visual arts residency programme in the UK, where she focuses on partnerships, future strategy and fundraising for the Foundation’s capital campaign. Prior to joining Delfina in June 2023, she was Director of Programme and Policy at Art Fund, where she led on the development and delivery of the charity’s grants programmes, museum and gallery support, and sector policy and research. She worked with partners nationwide across the museum and visual arts sectors, latterly launching new research and funding to support the sector in its recovery from Covid-19. Sarah is a founding member of the Association of Women in the Arts, has advised organisations including Gerry’s Pompeii, the King’s Cross Knowledge Quarter and the Churches Conservation Trust, mentored for Arts Emergency, and served as a trustee for the Association for Art History and Michael Clark Company.

 

Gabriella Wilks
Programs Director of Black Rock Global Arts Foundation
Gabriella Wilks has worked alongside world-renowned artist Kehinde Wiley since 2019 and is currently Programs Director of Black Rock Global Arts Foundation (BRGAF), the non-for-profit founded by Wiley. She has produced international exhibitions and special projects for Wiley’s studio, launched and developed the Black Rock Senegal artist residency program, and successfully established 501c3 status for BRGAF. She has been integral in defining the growth and development of Wiley’s non-for-profit work in the US and Africa and has facilitated over 60 successful residencies for artists in Dakar, Senegal. She spearheaded the inaugural participation of Black Rock Senegal in the DAK’ART Biennale and secured on-going exhibition partnerships for BRGAF with 1-54 Contemporary African Art Fair and the Harvey B. Gantt Center for African- American Arts + Culture.

Before working with Wiley, Gabriella worked in the Live Programming Department of MoMA PS1 assisting with the production and curation of live performances and public programs for Sunday Sessions. A selection of produced projects include: Black Rock 40 (DAK’ART Biennale, Dakar, Senegal), Go (Moynihan Train Hall, USA), Rumors of War (VMFA, USA), Self-Addressed (Jeffrey Deitch, USA), and The Prelude (National Gallery, UK). She is currently based in Brooklyn, New York.

Dexter Wimberly is an American curator based in Japan who has organized exhibitions in galleries and institutions around the world including the Museum of Arts and Design in New York City; The Green Family Art Foundation in Dallas, Texas; The Harvey B. Gantt Center in Charlotte, North Carolina; KOKI Arts in Tokyo, Japan; BODE in Berlin, Germany; and The Third Line in Dubai, UAE. His exhibitions have been reviewed and featured in publications including The New York Times and Artforum; and have received support from The Andy Warhol Foundation for the Visual Arts, and The Kinkade Family Foundation. Wimberly is a Senior Critic at New York Academy of Art, and the founder and director of the Hayama Artist Residency in Japan. He is also the co-founder and CEO of the online education platform, CreativeStudy.
Photo credit: Hiroki Kobayashi

 

Kate Capshaw

 

Kate Capshaw’s portrait of Toddrick Brockington honors the intergenerational work of Henry Street Settlement, a social services organization that has served Manhattan’s Lower East Side for 130 years, helping 50,000 New Yorkers each year.

Brockington joined Henry Street’s staff after serving 26 years in Sing Sing Correctional Facility in Ossining, New York, having earned a bachelor’s degree in behavioral science while incarcerated.

In 2021, Brockington founded the M.A.N (Mentoring and Nurturing) program, which provides emotional and practical resources to young men at risk. He accompanies these young men around economic, familial, and educational obstacles they face to reach their full potential.

Inspired by Bishop Desmond Tutu’s quote, “There comes a point where we need to stop just pulling people out of the river. We need to go upstream and find out why they’re falling in,” Brockington’s work is strongly situated upstream.

Capshaw debuted this portrait at Henry Street Settlement and The Park Avenue Armory in 2023 as a keynote piece of The Art Show, an annual art fair benefitting Henry Street Settlement and organized by the Art Dealers Association of America.

 

Kate Capshaw, Toddrick Brockington, 2023, oil on canvas, 58.75 x 42 inches

Eye to Eye

 

The New York Academy of Art is pleased to present its renowned exhibition series “Eye to Eye,” featuring the collection of Anne-Marie and Pierre Trahan, owners of Arsenal Contemporary. Now in its fifth iteration, “Eye to Eye” asks a prominent collector to select works by Academy MFA students, which are then exhibited side by side with pieces from the patron’s own collection, selected by the student artists themselves. The exhibition acts as a reflection of the collector’s eye and a commentary on artistic influence and relative value in the contemporary art world.

 

The Collection Majudia as selected by New York Academy of Art students (left column) and New York Academy of Art student works selected by Anne-Marie Trahan (right column).

 

Big Stories

The New York Academy of Art is pleased to present “Big Stories,” a group exhibition featuring large-scale, contemporary figurative paintings influenced by the narrative tradition. Curated by Bo Bartlett, Noah Buchanan, and Carl Dobsky, Big Stories travels to New York after its initial showing at the Bo Bartlett Center at Columbus State University in Columbus, Georgia.

From Homer to Shakespeare to Spielberg, the history of Western Culture has been shaped by the narrative arc. Stories are the fabric of our lives, recounting heroic journeys across cultures, as described by Joseph Campbell in A Hero with a Thousand Faces, revealing the recurring themes of transcendence in our shared experience. The exhibition aims to underscore the profound impact of storytelling on Western culture. Whether the narratives are evident in the surface imagery or deeply woven into the work itself, paintings in “Big Stories” invite reflection on and connection to our shared stories, urging the viewer to find meaning in our existence. Cocurator Bo Bartlett explains in his essay on the exhibition “These are not moral tales. These are not dogmatic history paintings. These are not old-fashioned preaching fables. The paintings of Big Stories are the manifestations of contemporary artists striving to find the stories that connect to the larger world, where personal stories become universal, and their inner world finds a connection to the outer world.”

Featured artists include Steven Assael, Bo Bartlett, Margaret Bowland, Noah Buchanan, Aleah Chapin, Alfred Conteh, Vincent Desiderio, Carl Dobsky, Michelle Doll, Najee Dorsey, Paul Fenniak, Zoey Frank, Andrea Kowch, Adam Miller, Odd Nerdrum, Amy Sherald, Tim Short, and Patricia Watwood.

 

 

Big Stories Panel Discussion


Featuring Bo Bartlett, Vincent Desiderio, Zoey Frank, & Amy Sherald moderated by Noah Buchanan and Carl Dobsky

Against the backdrop of the Big Stories exhibition at the New York Academy of Art, four of the nation’s leading figurative painters meet to discuss The Narrative in art, and its evolving role in today’s world.

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Bo Bartlett (b. 1955, Columbus, GA) is an American realist with a modernist vision. His paintings are well within the tradition of American realism as defined by artists such as Thomas Eakins and Andrew Wyeth. Like these artists, Bartlett looks at America’s heart—its land and its people—and describes the beauty he finds in everyday life. His paintings celebrate the underlying epic nature of the commonplace and the personal significance of the extraordinary.
Bartlett studied at the University of Pennsylvania and Philadelphia College of Osteopathic Medicine. He received a CFA from The Pennsylvania Academy of the Fine Arts in 1980 and a Certificate of Filmmaking from New York University in 1986. He holds an Honorary Doctorate of the Fine Arts from New York Academy of Art and Honorary Diploma from Lyme Academy of Art.
Bartlett’s awards include the Pew Fellowship in the Arts, the 1858 Prize for Southern Art, and the South Arts Fellowship. Notable collections include Crystal Bridges Museum of American Art (Bentonville, AR), Seattle Art Museum (WA), Denver Art Museum (CO), and the Pennsylvania Academy of the Fine Arts (Philadelphia, PA). In 2018, Columbus State University opened the Bo Bartlett Center.
Bartlett is represented by Miles McEnery Gallery in New York, NY, and he lives and works in Columbus, GA and Wheaton Island, ME.

Vincent Desiderio (b. 1955, Philadelphia, PA) graduated from Haverford College in 1977 and later attended the Accademia di belle arti in Florence, Italy followed by four years at the Pennsylvania Academy of Fine Arts. He is a Senior Critic at the New York Academy of Art and has been a visiting professor at numerous universities both here and abroad, most recently with a three-year appointment at the Tianjin Academy of Fine Arts in China through the country’s “Thousand Talent Program.”
Desiderio has received several grants and painting awards, among which are the Pollock-Krasner Foundation Grant, Two National Endowment for the Arts Grants in 1987 and 1991, and the Grand Prize of S.A.S. Prince Ranier III, Thirtieth Annual Show of Contemporary Art in Monte-Carlo, Monaco in 1996. In both 1984 and 1986, he was awarded a studio by the Institute for Art and Urban Resources, P.S.1. He is the recipient of honorary doctorates from both the New York Academy of Art and the Lyme Academy. In 2007, Desiderio was invited to be Artist in Residence at Dartmouth College.
His work can be found in many important public collections, including: The Metropolitan Museum of Art (NY); The Solomon R. Guggenheim Museum (NY); The Hirshhorn Museum (Washington, DC); the Museum of Fine Arts (Boston, MA); The Pennsylvania Academy of Fine Arts Museum of American Art (Philadelphia, PA); The Kemper Museum of Contemporary Art (Kansas City, MO); Galerie Sammlung Ludwig (Aachen, Germany); The Albright Knox Museum (NY; Museo Botero (Bogota, Columbia) and The Walker Art Center (Minneapolis, MN).
Numerous articles about Vincent Desiderio have appeared in periodicals and magazines including the New York Times, The New Yorker, Art Forum, Art in America, Art News, The Village Voice, the New York Post, The New York Sun, The Boston Globe, The Philadelphia Inquire, Le Figaro, American Art (Smithsonian Publication), Comparative Literature (University of Oregon) and others.
In 2016, Desiderio’s painting SLEEP was used as the basis for Kanye West’s video, FAMOUS.

Zoey Frank (b. 1987 in Boulder, Colorado) makes use of patterns and elements of abstraction in her large-scale multi-figure compositions. Her work draws on a wide range of approaches to pictorial space from across art history.
Frank studied for four years with Juliette Aristides in the Classical Atelier at Gage Academy of Art in Seattle, before receiving her MFA in painting from Laguna College of Art and Design in California. She has received numerous honors and awards, including three Elizabeth Greenshields grants, the Avigdor Arikha Memorial International Residency Scholarship, and three first place awards in Manifest Gallery’s International Painting Annual. Her work has been featured recently in New American Paintings, Hi Fructose magazine, Fine Art Connoisseur, Artists and Illustrators, and American Art Collector, among many others. In 2023, she served as a juror for the Bennett Prize and for the Figurativas award at the MEAM Museum in Barcelona. She is represented by Sugarlift Gallery in New York and Galerie Mokum in Amsterdam.

Amy Sherald (b. 1973, Columbus, GA) received her MFA from Maryland Institute College of Art in 2004 and BFA from Clark-Atlanta University in 1997. She documents the contemporary African-American experience in the United States through arresting, otherworldly figurative paintings. Sherald engages with the history of photography and portraiture to situate Black life centrally in American art. In October 2022, Sherald presented The World We Make, her first European solo exhibition at Hauser and Wirth in London. She was the first woman and first African-American to receive the grand prize from the National Portrait Gallery in Washington, DC, in the 2016 Outwin Boochever Portrait Competition, and in 2018, was selected by First Lady Michelle Obama to paint her official portrait commission for the National Portrait Gallery. Sherald’s work is held in collections including the Whitney Museum of American Art (New York, NY); the Los Angeles County Museum of Art (CA); the Long Museum (Shanghai); Museum of Fine Arts (Boston, MA); Crystal Bridges Museum of American Art (Bentonville, AR); Embassy of the United States (Dakar, Senegal); and the Smithsonian National Museum of African-American History and Culture (Washington, DC).

Click here for more information about the Big Stories exhibition. 

Essential Business Skills for Artists and Creatives with James Nepaulsingh

Join Senior Critic, Dexter Wimberly, and lawyer/artist James Nepaulsingh for a lively, in-person conversation about the essential business skills all artists and creatives need.

The talk will cover topics including:

  • When does an artist need a contract?
  • What to do when you think you can’t afford a lawyer.
  • Copyright! …know who owns your work?
  • What to do if, and when legal claims are made against you.
  • …and much, much more!

* DISCLAIMER: NO LEGAL ADVICE WILL BE PROVIDED AT THE SESSION *

James Nepaulsingh is a multipotentialite polymath: a corporate lawyer, painter, executive coach, board member, techno and house music producer and DJ, podcaster, and lecturer. He is British, based in Tokyo, and is of Trinidadian origin, but he has never been to Trinidad. Since birth, he has always occupied an ambivalent non-space, living between cultures. He regularly enters spaces that weren’t designed for him and sees things others can’t. He translates those experiences into new visual and aural languages. James graduated from the University of Oxford and the Royal College of Art, and qualified as an executive coaching at the University of Cambridge.

 

 

 

 

Dexter Wimberly is an American curator based in Japan who has organized exhibitions in galleries and institutions around the world including the Museum of Arts and Design in New York City; The Green Family Art Foundation in Dallas, Texas; The Harvey B. Gantt Center in Charlotte, North Carolina; KOKI Arts in Tokyo, Japan; BODE in Berlin, Germany; and The Third Line in Dubai, UAE. His exhibitions have been reviewed and featured in publications including The New York Times and Artforum; and have received support from The Andy Warhol Foundation for the Visual Arts, and The Kinkade Family Foundation. Wimberly is a Senior Critic at New York Academy of Art, and the founder and director of the Hayama Artist Residency in Japan. He is also the co-founder and CEO of the online education platform, CreativeStudy. Photo credit: Hiroki Kobayashi

 

Senior Critic Dexter Wimberly in Conversation with Artist Aleah Chapin

 

Aleah Chapin (b. 1986 Whidbey Island, WA) is a painter whose direct portrayals of the human form have expanded the conversation around western culture’s representations of the body in art. She has exhibited throughout the US, Europe and Asia, including Flowers Gallery (New York, London, Hong Kong), The Belvedere Museum (Vienna), the American Academy of Arts and Letters (New York), and the National Portrait Gallery (London). Chapin has attended residencies at the Leipzig International Art Program (Germany) and MacDowell (United States).

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She is a recipient of the Willard L. Metcalf Promising Young Painters Award from the American Academy of Arts and Letters (New York), three grants from the Elizabeth Greenshields Foundation (Canada), a Postgraduate Fellowship from the New York Academy of Art, and won the BP Portrait Award at the National Portrait Gallery (London). She holds an MFA from the New York Academy of Art (New York) and a BFA from Cornish College of the Arts (Seattle). Chapin’s work has been published extensively, including New American Paintings, White Hot Magazine, Juxtapoz, Vice, ArtMaze Magazine, Huffington Post, BBC, The Sunday Times of London, The Seattle Times, and Schiffer Publishing. Aleah Chapin lives and works in Los Angeles, California.