Born in London, England, in 1933 Mary Frank moved to the United States with her family in 1940. In the early 1950s she studied with Hans Hoffman and Max Beckmann. Frank works across disciplines as a sculptor, painter, photographer and gifted ceramic artist.  Without allegiance to any particular way of working or medium, Frank is fueled by her ever present urge for direct and honest expression.  Frank’s process begins with some form of abstraction from which she teases out what she describes as a pre-existing time and atmosphere where events can take place. Her recurring imagery act as an alphabet, combined in order to evoke feelings of grief, love, sorrow, ecstasy, mourning and exultation.

Mary Frank has been the subject of numerous museum exhibitions, including a retrospective organized by the Neuberger Museum in Purchase, New York in 1978; an in-depth look at her Persephone Series at the Brooklyn Museum in 1988; and Natural Histories, organized by the DeCordova Museum in 1988 which traveled to the Pennsylvania Academy of the Fine Arts and the Everson Museum of Art. In 2000, the Neuberger presented Encounters, a major traveling retrospective accompanied by a book by Linda Nochlin. In 2003, Experiences, a solo exhibition of Mary Frank’s paintings was organized by the Marsh Art Gallery, University of Richmond. In 1990 a major survey of Mary Frank’s work, written by Hayden Herrera, was published by Abrams, New York.  Shadows of Africa, a collaboration between the artist and poet Peter Matthiessen, was published by Abrams in 1992.

Frank’s work is in the collection of numerous institutions including the Art Institute of Chicago, IL, the Hirshhorn Museum and Sculpture Garden, Washington, DC , the Jewish Museum, New York, the Metropolitan Museum of Art, New York, the Museum of Fine Arts, Boston, the Museum of Modern Art, New York, the National Museum of American Art, Washington, DC, the Newark Museum, NJ, the Whitney Museum of American Art, New York and Yale University Art Gallery, New Haven, CT. Frank lives and works in New York City and Woodstock, New York.

Jori Finkel is a journalist who covers art from the West Coast for The New York Times and The Art Newspaper. Her writing has also been published in W magazine, Art in America, ARTnews, and Art+Auction magazine, where she was previously a senior editor in New York. She lectures regularly at museums and art fairs and also appears on NPR, PBS and CNN broadcasts as part of her larger project of making contemporary art more accessible. In 2018 she developed and co-produced for KCET the Emmy-nominated documentary Artist and Mother. Her book It Speaks to Me: Art that Inspires Artists (Prestel) was called “fascinating” by Publishers Weekly and “an argument for why art museums matter” by New York magazine.

Sebastian Smee is an art critic for the Washington Post and the author of “The Art of Rivalry: Four Friendships, Betrayals, and Breakthroughs in Modern Art.” He won the Pulitzer Prize for Criticism in 2011 while at the Boston Globe and teaches non-fiction writing at Wellesley College. He has written books on Lucian Freud and Mark Bradford, and is currently writing a book about Berthe Morisot and Édouard Manet during the siege of Paris and the Paris Commune, 1870-71.

Siddhartha Mitter writes about art, creative communities, and their social context. His writing includes artist profiles, scene stories and reported essays, and criticism. His stories have engaged particularly with art and culture work in the urban United States, in the American South, and in multiple locations in Africa, from where he was reporting frequently prior to the pandemic. Currently, Siddhartha writes mostly for the New York Times. He has also contributed recently to W Magazine, National Geographic, and others. He was a regular contributor to the Village Voice prior to its closure in 2018; previously he wrote for the Boston Globe (on music) and was the culture reporter at WNYC New York Public Radio from 2006-09. Siddhartha has also contributed to Artforum, Art in America and others.